About

Anton Bruckner’s Te Deum in C Major is a magnificent setting of the early Christian Te Deum hymn text. Publisher Tehodore Rattig paid Bruckner 50 gulden, thought to be the only money he ever earned as a composer in his entire life, and the Te Deum was premiered in Vienna in 1885. The piece was so moving that Gustav Mahler crossed out the marking “for chorus, solos, and orchestra, organ ad libitum” on his score and replaced it with “for the tongues of angels, heaven-blest, chastened hearts, and souls purified in his fire!”

Sir Michael Tippett’s A Child of Our Time (1941) is a unique oratorio, structured in three parts to emulate Handel’s Messiah and using traditional African-American spirituals in a form similar to Bach’s use of the chorale in his Passions, all with a decidedly twentieth-century musical language. The text of this stirring work reflects Tippett’s pacifism and belief that people contain both “shadow and light.”

Tickets

LOCATION
Jazz at Lincoln Center’s Frederick P. Rose Hall
in the Shops at Columbus Circle
Broadway at 60th Street | New York New York
RUNNING TIME
90 minutes, no intermission
OTHER WAYS TO BUY
Call 212-721-6500 or visit the Jazz at Lincoln Center Box Office

Artists

Nicole Cabell
Nicole Cabell
Nicole Cabell
Marietta Simpson
Marietta Simpson
Marietta Simpson
John Relyea
John Relyea
John Relyea
Russell Thomas
Russell Thomas
Russell Thomas

Media

Read the Reviews from Te Deum | A Child of our time

“…the orchestra and chorus, which both performed vividly here, the chorus singing with soulful languor in the gospel interludes.” – The New York Times

Photos from te deum | A child of our time

[gallery link="file" ids="1154,1153,1152,1151,1150,1155"]

Promotional Materials

[embed]https://www.youtube.com/watch?v=iulEx7kMIhA[/embed]  

Events

Written in response to Kristallnacht in a decidedly twentieth-century musical language,  A Child of Our Time  is a unique oratorio that reflects Tippett’s pacifism and belief that people contain both "shadow and light."

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